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      <image:title>images - "Tolan nails the mother-daughter negotiation." Sarah Hart, American Theatre Magazine (July 2005)</image:title>
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      <image:title>images - "A captivating emotional ballet that is also a moving demonstration of the strenuous work that goes into good mothering." Christopher Isherwood, New York Times (May 18, 2005)</image:title>
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      <image:title>images - “Tolan's script is vivid and lively, laden with specifics -- like the noisy Rice Krispies whose crackling and popping terrified the young immigrant -- and with laughs.” Boston Globe (April 16, 2007)</image:title>
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      <image:caption>“At first blush, this overview of Memory House, native Milwaukean Kathleen Tolan's latest play, looks less like a drama than yet another sentimental two-actor dialogue passing itself off as a play during an era in which theater company budgets require scaled-down productions. In 80 mesmerizing minutes, Tolan blows such preconceptions to smithereens.” Milwaukee Journal Sentinel (October 21, 2006)</image:caption>
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      <image:caption>Selected Productions: HB Playwrights Foundation, directed by William Carden, 2000 Playwrights Horizons, directed by Brian Kulick, 2001 (Video recording in Lincoln Center Library Collection)</image:caption>
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      <image:caption>“…[T]here is plenty of pain in Kathleen Tolan’s 95-minute comedy [(THE WAX)]—not to mention rhapsodically clever writing and enough off-beat formal novelty to justify its description as an existential sex farce…[T]he writing is smart and funny and…filtered through a female sensibility that isn’t often put to use in classic commercial forms.” Linda Winer in Newsday (1/8/2001)</image:caption>
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      <image:caption>Classic Stage Company, directed by Brian Kulick, featuring Martha Plimpton, April 2005 “A sparkling translation.” The New Yorker (listings, 4/05)</image:caption>
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